Exhibitions A Venice of the Mind
2012
Istituto Italiano di Cultura, Melbourne, Australia presents A Venice of the Mind by Lisa Barmby, with special guest from Italy, writer Andrea di Robilant.
For a number of years Venice has been at the heart of Barmby's work as an artist. From her first visit Barmby fell in love with the city, and there are many interlocking reasons. Firstly there is the gondola, a paradoxical private place on public display. She is also interested in the historical Venice - the theatrical daily life, solemn ceremonies, costumes, courtesans, fascination with exotic animals, excesses and oddities. Furthermore there are the masks, worn daily during the 18th century, no doubt as a form of secrecy but also as an intriguing social equalizer. Finally there are the Venetian courtesans, some of them radical figures of their time with a freedom socially, creatively, sexually and financially that is almost contemporary.
Barmby finds this contemplation of the historical city and the Venice oftoday a rich source of images and metaphors for her work. Barmby can examine contemporary issues in the light, color and energetic life of unique and magnificent Venice.
Lisa Barmby first visited Venice in 1982 and then lived in Paris from 1989 for 5 years where she studied drama at the prestigious Ecole Florent. Returning to Australia in 1994, she studied in the Diploma of Visual Art course at RMIT. Barmby’s work has since been shown in numerous solo and group exhibitions in Australia and Europe including Sous le Ciel de Paris, 2003, Galerie Vivienne, Paris; Venezia- Australis, Australian Artists in Venice 1900-2000, curated by Castlemaine Art Gallery in 2005 (touring nationally); Slender Harbour for Innovators 1, 2010, at the Linden Centre for Contemporary Arts and Flourish, 2011, at the Toyota Community Spirit Sculpture Exhibition. She won the Linden Postcard Prize in 2000 and the Linden Arts Spectrum Prize in 2002. In 2007, Barmby discovered Peggy Guggenheim’s gondola in Venice’s Naval Museum. This led to an entirely new sculptural direction and her first installation, Peggy & Venice, 2009, in Flinders Lane, in which she looked at Venice through Peggy Guggenheim’s courageous, theatrical life. Barmby was awarded a travel grant by the Ian Potter Cultural Trust in 2010 to complete a residency at La Scuola Internazionale di Grafica in Venice. A highlight of the residency was meeting the gondola artisans of El Felze Associazione. One of them, Carlo Valese, invited Barmby to view his workshop casting brass gondola ornaments. Valese is one of the last craftsmen in Venice making these ‘cavài’ (seahorses), using an ancient 13th century “French sand-book” technique.